element with your own HTML/CSS - Source of image is returned via PHP shortcode: esc_url( wc_placeholder_img_src( 'woocommerce_single' ) ) --> <div class="woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images" data-columns="4" style="opacity: 0; transition: opacity .25s ease-in-out;"> <figure id="productImageOverwrite"> <div data-thumb="https://apt.org.au/wp-content/uploads/2021/06/2134_80_Minutes_No_Interval_COVER_FINAL3.jpg" data-thumb-alt="80 MINUTES NO INTERVAL" data-thumb-srcset="" data-thumb-sizes="(max-width: 170px) 100vw, 170px" class="woocommerce-product-gallery__image"><a href="https://apt.org.au/wp-content/uploads/2021/06/2134_80_Minutes_No_Interval_COVER_FINAL3.jpg"><img width="170" height="250" src="https://apt.org.au/wp-content/uploads/2021/06/2134_80_Minutes_No_Interval_COVER_FINAL3.jpg" class="wp-post-image" alt="80 MINUTES NO INTERVAL" data-caption="" data-src="https://apt.org.au/wp-content/uploads/2021/06/2134_80_Minutes_No_Interval_COVER_FINAL3.jpg" data-large_image="https://apt.org.au/wp-content/uploads/2021/06/2134_80_Minutes_No_Interval_COVER_FINAL3.jpg" data-large_image_width="170" data-large_image_height="250" decoding="async" /></a></div> </figure> </div> <div class="mkdf-single-product-summary"> <div class="summary entry-summary"> <div class="mkdf-pl-author-holder"><a href="https://apt.org.au/author?authorinfoid=933">by Travis Cotton</a></div><h2 itemprop="name" class="mkdf-single-product-title">80 MINUTES NO INTERVAL</h2><p class="price"><span class="woocommerce-Price-amount amount" aria-hidden="true"><bdi><span class="woocommerce-Price-currencySymbol">$</span>5.40</bdi></span> <span aria-hidden="true">–</span> <span class="woocommerce-Price-amount amount" aria-hidden="true"><bdi><span class="woocommerce-Price-currencySymbol">$</span>15.00</bdi></span><span class="screen-reader-text">Price range: $5.40 through $15.00</span></p> <p>Louis is a failing novelist, which wouldn’t be the case if he’d stop messing with tense and obscuring narrative. He used to be a theatre reviewer, and he’d still be doing that if a red box hadn’t been invented that writes perfect reviews. His girlfriend would still be around if he’d stopped taking her to the theatre, and he’d have a home if he hadn’t worn out his welcome at his parent’s investment property.<br /> <br /> One thing Louis does have is grit; he ain’t gonna let no thing or no body bring him down. But sometimes art happens, and when it does… two words… pens and eyes. Pens. Eyes.<br /> </p> <div class="play-info"> <ul> <li> <label>Form/Style:</label> <span>comedy</span> </li> <li> <label>Length in minutes:</label> <span>80</span> </li> <li> <label>Cast:</label> <span>5 total</span> </li> <li> <label>Roles:</label> <span>2 female identifying, 3 male identifying</span> </li> <li> <label>Cast age groups:</label> <span>18 </span> </li> <li> <label>Audience age:</label> <span>teen, young adult, adult</span> </li> <li> <label>Publisher:</label> <span>Australian Script Centre</span> </li> </ul> </div> <br><br> <div id="media"> <ul> <li id="media-monologue-tab" onclick="showMediaListItem('media-monologue')">MONOLOGUES</li><li id="media-linkDownload-tab" onclick="showMediaListItem('media-linkDownload')">LINKS & DOWNLOADS <li id="media-productionHistory-tab" onclick="showMediaListItem('media-productionHistory')">PRODUCTION HISTORY</li> </ul> <div id="media-monologue-content"> <p>You can preview the full online text with a Membership</p> <div class="linkscroll"><h2>Claire</h2> <p>Female | 30s | 3 to 5 minutes<br> Starts on page 36<p> <p> <strong>EXTRACT: </strong>What about that play we saw last Christmas? The big budget one with 35 actors in it that went for seven hours? There were two intervals and a dinner break for God’s sake. I mean that’s not entertainment, that’s a shift at work. I should’ve been making at least 40 bucks an hour to see that. And when we came back after the dinner break the second half was set in the dark. In the dark! I mean, what the fuck!</p><div class="monologueWarnings"></div> <i>Adult language</i><br><hr></div></div><div id="media-linkDownload-content"> <div class="linkscroll"><h3><a href="https://theatrepress.com.au/2018/11/24/review-80-minutes-no-interval/">REVIEW</a></h3><h4>THEATRE PRESS, SAMUEL BARSON, 2018</h4><p>"I doubt that I will ever see a play like this again, and in a way I hope I never do. It’s very rare that a piece of art is able to be so uniquely captured and presented. A play of this intellect, strangeness and calibre deserves to live on in its own individual legacy. A must see for those who are seeking a refreshing and escapist experience in the theatre." Samuel Barson</p><h3><a href="http://www.kjtheatrediary.com/2016/03/80-minutes-no-interval.html">REVIEW</a></h3><h4>KEVIN JACKSON'S THEATRE DIARY, 2016</h4><p>"Mr Cotton's new play is simply a wonder. The plotting is surprising, the jokes are rapid fire (and often very smart), the characters are hilarious and the twist to his tale extraordinarily beautiful." Kevin Jackson</p><h3><a href="http://www.stagenoise.com/review/2016/80-minutes-no-interval">REVIEW</a></h3><h4>STAGE NOISE, DIANA SIMMONDS, 2016</h4><p>"Written and directed by Travis Cotton, this is that rare and welcome beast: a comedy that’s actually truly-rooly funny. More than that – and would you believe it – it runs for precisely 80 minutes, no interval and packs a world of satire and sass into that time frame." Diana Simmonds</p></div><p class="noticeBottom">PLEASE NOTE: This page contains links to files that have been sourced, and websites that are maintained by other businesses and organisations. Please refer to our <a href="/terms">terms of use</a>.</p></div> <div id="media-productionHistory-content"> <form id="ausstage" method="post" action="https://www.ausstage.edu.au/pages/search/results/index.jsp" target="_blank"> <h4>Search for details of past productions at AusStage.edu.au</h4> <p>AusStage provides an accessible research facility for investigating live performance in Australia.</p><hr> <div id="flds"> <input id="productionHistoryTitle" type="text" name="f_keyword" value="80 MINUTES NO INTERVAL"> <input type="hidden" name="f_search_from" value="work"> <input type="hidden" name="f_sql_switch" value="and"> <input type="hidden" name="f_sort_by" value="alphab_frwd"> <!-- by Travis Cotton80 MINUTES NO INTERVAL$5.40 – $15.00Price range: $5.40 through $15.00 Louis is a failing novelist, which wouldn’t be the case if he’d stop messing with tense and obscuring narrative. He used to be a theatre reviewer, and he’d still be doing that if a red box hadn’t been invented that writes perfect reviews. His girlfriend would still be around if he’d stopped taking her to the theatre, and he’d have a home if he hadn’t worn out his welcome at his parent’s investment property. One thing Louis does have is grit; he ain’t gonna let no thing or no body bring him down. But sometimes art happens, and when it does… two words… pens and eyes. Pens. Eyes. Form/Style: comedy Length in minutes: 80 Cast: 5 total Roles: 2 female identifying, 3 male identifying Cast age groups: 18 Audience age: teen, young adult, adult Publisher: Australian Script Centre MONOLOGUESLINKS & DOWNLOADS PRODUCTION HISTORY You can preview the full online text with a Membership Claire Female | 30s | 3 to 5 minutes Starts on page 36 EXTRACT: What about that play we saw last Christmas? The big budget one with 35 actors in it that went for seven hours? There were two intervals and a dinner break for God’s sake. I mean that’s not entertainment, that’s a shift at work. I should’ve been making at least 40 bucks an hour to see that. And when we came back after the dinner break the second half was set in the dark. In the dark! I mean, what the fuck! Adult language REVIEWTHEATRE PRESS, SAMUEL BARSON, 2018"I doubt that I will ever see a play like this again, and in a way I hope I never do. It’s very rare that a piece of art is able to be so uniquely captured and presented. A play of this intellect, strangeness and calibre deserves to live on in its own individual legacy. A must see for those who are seeking a refreshing and escapist experience in the theatre." Samuel BarsonREVIEWKEVIN JACKSON'S THEATRE DIARY, 2016"Mr Cotton's new play is simply a wonder. The plotting is surprising, the jokes are rapid fire (and often very smart), the characters are hilarious and the twist to his tale extraordinarily beautiful." Kevin JacksonREVIEWSTAGE NOISE, DIANA SIMMONDS, 2016"Written and directed by Travis Cotton, this is that rare and welcome beast: a comedy that’s actually truly-rooly funny. More than that – and would you believe it – it runs for precisely 80 minutes, no interval and packs a world of satire and sass into that time frame." Diana SimmondsPLEASE NOTE: This page contains links to files that have been sourced, and websites that are maintained by other businesses and organisations. Please refer to our terms of use. Search for details of past productions at AusStage.edu.au AusStage provides an accessible research facility for investigating live performance in Australia. Search by play title and/or playwright nameResults will open in a new window PLEASE NOTE: You will be directed to AusStage.edu.au for search results; Australian Plays Transform is not responsible for their completeness. Refer to our terms of use. READ EXTRACT COPY LICENSING READ FULL SCRIPT PRODUCTION RIGHTS 80 MINUTES NO INTERVAL SCRIPT quantity 80 MINUTES NO INTERVAL SCRIPT$15.00 80 MINUTES NO INTERVAL COPY LICENSE quantity 80 MINUTES NO INTERVAL COPY LICENSE$5.40 Add to cart SKU: ASC-2134 Category: Script APT
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